At night, things shift. In shadow, the world operates strangely, ecosystems transform, and boundaries between seen and unseen dissolve. Often viewed solely as a place where fear and odious forces gather, these are also the ‘small hours,’ and a parallel realm where people, places, and things appear and act differently. The world sits in a different harmony in the dark, dream and fantasy pulling closer to our fingertips; it’s when the intricate flowers of the Japanese snake gourd, which only blooms at night, reveal themselves to the moon, as if they belong to another realm entirely. “I see it when I work the night shift, this otherworld,” says Dania, who splits her time between life in Barcelona and night shifts as an emergency doctor in remote corners of Australia.

All composed after midnight, Listless is a reflection of that liminality, communicating from that nocturnal space. Buoyed by layers of transcendent vocals, it embraces the quietly potent power of everything that only comes to life in the dark and blooms out of sight. Her first time deploying drums into her songs, Dania’s production draws from a deep well of oneiric musics, ultimately forging a fresh and emotionally psychedelic syntax. “It’s not a pop record,” she says, “but it’s the closest thing I’ve ever made to one.”

Dania created Listless’ landscape of dark irony, deep introspection, and liberation from the daylight world. These tracks are future hymns for liminal spaces – and an invitation to drift to the otherworld waiting after midnight.